Bibliography
Áine Phillips
Bibliography
Live Autobiography
Practice based PhD in Fine Art Sculpture NCAD, Dublin 2005-2008
Abramovic M. (2002) quoted in A Daneri, et al, (eds.) p.35, Marina Abramović, Charta, 2002
Anderson, L. (2007) Autobiography the New Critical Idiom, Routledge, London
Anderson, Laurie (1981) Laurie Anderson, an Interview, Interview by William Furlong, Audio Arts
Suppliment, London
Apollon, W. & Feldstein R., ed. by (1996) Lacan, Politics and Aesthetics,
State University of NY Press, New York
Atkins, K. ed. by, (2005) Self and Subjectivity, Blackwell Publishing, USA
Augsburg, T. (1998) Orlans performative transformations of Subjectivity in The Ends of
performance, eds Peggy Phelan and Jill Lane, NY University Press, NY
Auslander, P. (1999) Liveness, Performance in a mediatized culture, Routledge UK
Bachelard, G. (1983) Water and Dreams: An Essay on the Imagination of Matter, trans by E. R.
Farrell, Dallas Institute. Publications, Dallas
Badiou, A. (2004) Handbook of Inaesthetics, transl. by A. Toscano, Standford
University Press Standford USA
Badiou, A. (2007) Fifteen Theses on Contemporary Art, http://www.lacan.com/frameXXIII7.htm,
accessed on 20/3/08
Baker, B. & Barret, M. (2007) Bobby Baker, Redeeming features of daily life,
Routledge, UK
Ballard, J.G. (2007) Miracles of Life, An Autobiography, Fourth Estate HarperCollins, UK
Barrett, E., Bolt, B.(2007) Practice as Research, Approaches to Creative Arts Enquiry,
IB Tauris, Australia
Bataille, G. (1985) Visions of Excess, Selected Writings 1927 – 1939, ed by A Stoekl, University of
Minnesota Press, USA
Bataille, G.(1928) Story of the Eye, Penguin Books 2001, London
Baudrillard, J. (1998) Simulcra and Simulations from Selected Writings, Stanford University Press
USA
Baudrillard J. (1998) The finest consumer object: the Body from The Consumer Society, Bauman,
Z.(2004) Identity, Polity Press, United Kingdom
202
Baudrillard, J. (1998) Simulcra and Simulations from Selected Writings, Stanford University Press
USA
Baudrillard J. (1998) The finest consumer object: the Body from The Consumer Society, Myths and
Structures, Sage, London
Bauman, Z. (2002) In conversation with Milena Yakimora, published on Eurozine website:
www.eurozine.com, accessed 10-6-07
Bauman, Z. (2003) Liquid Love, Polity Press, London, UK
Benson, C. (2001) The Cultural Psychology of Self, Routledge, London
Biesenbach, K. (2007) Into me/Out of me, Institute of Contemporary Art Berlin,
Hatje Cantz, Germany
Bishop, C. (2006) Participation, Whitechapel MIT Press, London
Bordo, S. (1993) Unbearable Weight: Feminism, Western Culture and the Body, University of
Calfornia Press, Berkeley
Bonney, J. (2000) Extreme Exposure, Anthology of Solo performance, Theatre Communications Inc.
USA
Borzello, F. (1998) Seeing Ourselves Women's Self Portraits, Thames & Hudson, London
Bourriaud, N. (2002) Relational Aesthetics, Les presses du Reel, Paris
Bugarchich, G. (1985) Talking with Karen Finley: No Turkey's Here, Soho Arts Weekly, Nov 27,
New York
Butler, J. (1990) Gender Trouble, Feminism and the Subversion of Identity, Routledge, New York
Burke, J. & Jones, R. (2005) And the One Doesn't Stir without the Other, Ormeau Baths Gallery,
Belfast
Butler, J. (2000) The Judith Butler Reader, Blackwell USA
Butt, G. (2005) After Citicism, new responses to art and performance, Blackwell UK
Calle, S. (2003) Sophie Calle, M'as Tu Vue, Prestel Adagp, Paris
Calle, S. (2003) Exquisite Pain, Thames & Hudson, London
Cambell, P & Kear, A., ed. by, (2001) Psychoanalysis and Performance, Routledge, NYC
203
Carlson, M. (1996) Performance, a critical introduction, Routledge London
Caroline T. (1979) Joseph Beuys, Guggenheim, USA
Carr, C. (1993) Telling the Awfullest Truth: An Interview with Karen Finley in Acting Out: Feminist
performances, eds Lynda Hart & Peggy Phelan, University of Michegan press, Ann Arbour
Cotter, H. (2007) Asking Serious Questions in a Very Quiet Voice, Documenta 12,
http://www.nytimes.com/2007/, Published 2007, accessed 3-7-2008
Cixous, H. & Clement, C. (1996) The Newly Born Woman, I.B. Tauris, New York
Cixous, H. & Calle-Gruber, M. (1997) Rootprints memory and life writing,
Routledge London
De Beauvoir, S. (1949) The Second Sex, Vintage, London
De Certeau, M. (1984) The Practice of Everyday Life, University of California Press
Deleuze & Guattari (1987) A Thousand Plateaus, Continuum Paris
Dewey, J. (1934) Art as Experience, Perigee Penguin 2005, USA
Diamond, E. (1996) Brechtian Theory/ Feminist Theory, Towards a Gestic Feminist Criticism in C.
Martin (ed.), A Sourcebook on Feminist Theatre and Performance: On and Beyond the Stage,
Routledge London
Doy, Gen (2005) Picturing the Self, IB Taurus, London
Du Gay, P., Evans, J., Redman, P. (2000) Identity, A Reader, Sage Publications UK
Elliot, A. (2006) Concepts of the Self, Polity Press, UK
Felman, S. (1993) What Does A Woman Want? Reading and Sexual Difference, Johns Hopkins
Press, London
Finley, K. (2000) A Different Kind of Intimacy, Thunders Mouth Press. New York
Fischer-Lichte, E. (2002) History of European Drama and Theatre, Routledge
Fischer-Lichte, E. (2005) Theatre, Sacrifice, Ritual, Exploring Forms of Political Theatre,
Routledge, New York
Fisher, J. (2003) Vampire in the Text, Narratives of Contemporay Art, INIVA, London
Foster, H. (1995) Recodings, Art, Spectacle, Cultural Politics, Bay Press USA
Foucault, M. (1990) The Care of the Self, The History of Sexuality:3, Penguin, London
Foucault, M. (1992) The Use of Pleasure, The History of Sexuality: 2, Penguin, London
Foucault, M. (1998) The Will to Knowledge, The History of Sexuality:1, Penguin, London
Fraser, M., Greco, M. (2005) The Body A Reader, Routledge London
Freud, S. (1999) The Interpretation of Dreams, translation by Joyce Crick, Oxford University Press,
Oxford
Freud, S. (2006) The Penguin Freud Reader, ed. by Adam Phillips, Penguin, London
Fromm, E. (2003) Man for Himself, Routledge, London
Giddens, A. (2000) The trajectory of the self in Identity, A Reader, p. 248, Routledge Goffmann, E.
(2005) and Embodied Information in Face-to-Face Interaction in The Body, A Reader, p. 82,
Routledge
Gilleard, J.C. and Higgs, P. (2005) Aeging and its embodiment from The Body, A Reader, Routledge
London
Goffmann, E. (1971) The Presentation of Self in Everyday Life, Pelican London
Goffmann, E. (1963) Behaviour in Public Places: Notes on the social organisation of gatherings,
The Free Press, New York
Goffmann, E. (2005) Embodied Information in Face-to-Face Interaction from p. 82 The Body, A
Reader, Routledge 2005
Goldberg, R. (1976) Public Performance: Private Memory, Studio International, No. 192 July-Aug
Goldberg, R. (1979) Performance Art, from Futurism to the present, Thames & Hudson, Grosz, E.
(1994) Volatile Bodies, Toward a Corporeal Feminism, Indiana University Press USA
Grosz, E. (1994) Volatile Bodies, Toward a Corporeal Feminism, Indiana University Press, USA
Harding, A. ed. by, (1997) Curating, The Contemporary Art Museum and Beyond,
Art & Design, Academy Group Ltd. London
Hall, D. (2004) Subjectivity, the New Critical Idiom, Routledge, London
Hanisch, C. (1970) The Personal is Political in scholar.alexanderstreet.com/display/~hanisch,
accessed on 13-4-07
Haraway, D. (1991) Simians, Cyborgs and Women, The Reinvention of Nature, Free Association
Books London
205
Harte, L. (2007) Modern Irish Autobiography: Self, Nation and Society quoted in How the Irish
Autobiography went from 'we' to 'I', article by Fintan O'Toole, Irish Times 28-4-07.
Harte, L, (2007) How the Irish Autobiography went from 'we' to 'I' (The Irish Times 28-4-07) taken
from Modern Irish Autobiography: Self, Nation and Society, 2007 Palgrave Macmilian
Heathfield, A. (2004) Live, Art and performance, Tate Publishing, London
Heathfield, A. ed., by (2004) Small Acts: Performance, The Millennium and the marking of Time,
Black Dog, London
Heddon, D. (2006) Performing the Confessional, in Cultures de la Confession, Publications de
l'Universite de Provence, France
Heddon, D. (2007) Performance & Autobiography, Palgrave Macmillian, UK
Higgs, P. (2005) Aeging and its embodiment from The Body, A Reader, Routledge London
Hirschhorn, T. (2007) Concretion Re, 2007 in the Galerie Chantal Crousel, Paris
Hoffmann, J. & Jonas J. (2005) Perform, Thames & Hudson, London
Huxley, M. (1996) Twentieth Century Performance Reader, Routledge, London
Irigaray, L. (1979) Speculum of the Other Woman, trans. Gillian Gill, Cornell University press,
Ithaca, New York
Irigaray, L. (1986) The Sex Which is Not One, trans. Catharine Porter, Cornell University press,
Ithaca, New York
Irigaray, L. (2004) An Ethics of Sexual Difference, Continuum, London
Irigaray, L. trans. By Burke C. & Porter C. (1985) The Sex which is not One, Cornell University
Press, USA
Jones, A., ed. by, (2003) The Feminism and Visual Culture Reader, Routledge London
Jones, A. (2006) Self/Image Technology, Representation and the Contemporary Subject, Routledge,
London & NY
Jones, A., Stephenson, A. (1999) Performing the Body, Performing the Text,
Routledge London
Jones. A. & Warr, T. (2000) The Artist's Body, Phaidon Press Ltd. London
Kaprow, A. (1996) Essays on the Blurring of Art and Life, University of California Press
Kear, A. & Cambell, P. (2001) Psychoanalysis and Performance, Routledge London
Keidan, L. & Morgan, S. (2000) Franko B, Black Dog publishing, London
Kellner, D. (2000) Erich Fromm, Feminism & The Frankfurt School,
www.gseis.ucla.edu/faculty/kellner/essays/erichfrommfeminism.pdf, accessed 5-8-2006
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www.artnet.com/magazine/features/kuspit (7-23-2002) accessed on 12-5-2006
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1982
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Rose, Macmillan Press, London
Lacan, J. (1986) The Works of Jacques Lacan, Free Association Books, London
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Bibliography
Live Autobiography
Practice based PhD in Fine Art Sculpture NCAD, Dublin 2005-2008
Abramovic M. (2002) quoted in A Daneri, et al, (eds.) p.35, Marina Abramović, Charta, 2002
Anderson, L. (2007) Autobiography the New Critical Idiom, Routledge, London
Anderson, Laurie (1981) Laurie Anderson, an Interview, Interview by William Furlong, Audio Arts
Suppliment, London
Apollon, W. & Feldstein R., ed. by (1996) Lacan, Politics and Aesthetics,
State University of NY Press, New York
Atkins, K. ed. by, (2005) Self and Subjectivity, Blackwell Publishing, USA
Augsburg, T. (1998) Orlans performative transformations of Subjectivity in The Ends of
performance, eds Peggy Phelan and Jill Lane, NY University Press, NY
Auslander, P. (1999) Liveness, Performance in a mediatized culture, Routledge UK
Bachelard, G. (1983) Water and Dreams: An Essay on the Imagination of Matter, trans by E. R.
Farrell, Dallas Institute. Publications, Dallas
Badiou, A. (2004) Handbook of Inaesthetics, transl. by A. Toscano, Standford
University Press Standford USA
Badiou, A. (2007) Fifteen Theses on Contemporary Art, http://www.lacan.com/frameXXIII7.htm,
accessed on 20/3/08
Baker, B. & Barret, M. (2007) Bobby Baker, Redeeming features of daily life,
Routledge, UK
Ballard, J.G. (2007) Miracles of Life, An Autobiography, Fourth Estate HarperCollins, UK
Barrett, E., Bolt, B.(2007) Practice as Research, Approaches to Creative Arts Enquiry,
IB Tauris, Australia
Bataille, G. (1985) Visions of Excess, Selected Writings 1927 – 1939, ed by A Stoekl, University of
Minnesota Press, USA
Bataille, G.(1928) Story of the Eye, Penguin Books 2001, London
Baudrillard, J. (1998) Simulcra and Simulations from Selected Writings, Stanford University Press
USA
Baudrillard J. (1998) The finest consumer object: the Body from The Consumer Society, Bauman,
Z.(2004) Identity, Polity Press, United Kingdom
202
Baudrillard, J. (1998) Simulcra and Simulations from Selected Writings, Stanford University Press
USA
Baudrillard J. (1998) The finest consumer object: the Body from The Consumer Society, Myths and
Structures, Sage, London
Bauman, Z. (2002) In conversation with Milena Yakimora, published on Eurozine website:
www.eurozine.com, accessed 10-6-07
Bauman, Z. (2003) Liquid Love, Polity Press, London, UK
Benson, C. (2001) The Cultural Psychology of Self, Routledge, London
Biesenbach, K. (2007) Into me/Out of me, Institute of Contemporary Art Berlin,
Hatje Cantz, Germany
Bishop, C. (2006) Participation, Whitechapel MIT Press, London
Bordo, S. (1993) Unbearable Weight: Feminism, Western Culture and the Body, University of
Calfornia Press, Berkeley
Bonney, J. (2000) Extreme Exposure, Anthology of Solo performance, Theatre Communications Inc.
USA
Borzello, F. (1998) Seeing Ourselves Women's Self Portraits, Thames & Hudson, London
Bourriaud, N. (2002) Relational Aesthetics, Les presses du Reel, Paris
Bugarchich, G. (1985) Talking with Karen Finley: No Turkey's Here, Soho Arts Weekly, Nov 27,
New York
Butler, J. (1990) Gender Trouble, Feminism and the Subversion of Identity, Routledge, New York
Burke, J. & Jones, R. (2005) And the One Doesn't Stir without the Other, Ormeau Baths Gallery,
Belfast
Butler, J. (2000) The Judith Butler Reader, Blackwell USA
Butt, G. (2005) After Citicism, new responses to art and performance, Blackwell UK
Calle, S. (2003) Sophie Calle, M'as Tu Vue, Prestel Adagp, Paris
Calle, S. (2003) Exquisite Pain, Thames & Hudson, London
Cambell, P & Kear, A., ed. by, (2001) Psychoanalysis and Performance, Routledge, NYC
203
Carlson, M. (1996) Performance, a critical introduction, Routledge London
Caroline T. (1979) Joseph Beuys, Guggenheim, USA
Carr, C. (1993) Telling the Awfullest Truth: An Interview with Karen Finley in Acting Out: Feminist
performances, eds Lynda Hart & Peggy Phelan, University of Michegan press, Ann Arbour
Cotter, H. (2007) Asking Serious Questions in a Very Quiet Voice, Documenta 12,
http://www.nytimes.com/2007/, Published 2007, accessed 3-7-2008
Cixous, H. & Clement, C. (1996) The Newly Born Woman, I.B. Tauris, New York
Cixous, H. & Calle-Gruber, M. (1997) Rootprints memory and life writing,
Routledge London
De Beauvoir, S. (1949) The Second Sex, Vintage, London
De Certeau, M. (1984) The Practice of Everyday Life, University of California Press
Deleuze & Guattari (1987) A Thousand Plateaus, Continuum Paris
Dewey, J. (1934) Art as Experience, Perigee Penguin 2005, USA
Diamond, E. (1996) Brechtian Theory/ Feminist Theory, Towards a Gestic Feminist Criticism in C.
Martin (ed.), A Sourcebook on Feminist Theatre and Performance: On and Beyond the Stage,
Routledge London
Doy, Gen (2005) Picturing the Self, IB Taurus, London
Du Gay, P., Evans, J., Redman, P. (2000) Identity, A Reader, Sage Publications UK
Elliot, A. (2006) Concepts of the Self, Polity Press, UK
Felman, S. (1993) What Does A Woman Want? Reading and Sexual Difference, Johns Hopkins
Press, London
Finley, K. (2000) A Different Kind of Intimacy, Thunders Mouth Press. New York
Fischer-Lichte, E. (2002) History of European Drama and Theatre, Routledge
Fischer-Lichte, E. (2005) Theatre, Sacrifice, Ritual, Exploring Forms of Political Theatre,
Routledge, New York
Fisher, J. (2003) Vampire in the Text, Narratives of Contemporay Art, INIVA, London
Foster, H. (1995) Recodings, Art, Spectacle, Cultural Politics, Bay Press USA
Foucault, M. (1990) The Care of the Self, The History of Sexuality:3, Penguin, London
Foucault, M. (1992) The Use of Pleasure, The History of Sexuality: 2, Penguin, London
Foucault, M. (1998) The Will to Knowledge, The History of Sexuality:1, Penguin, London
Fraser, M., Greco, M. (2005) The Body A Reader, Routledge London
Freud, S. (1999) The Interpretation of Dreams, translation by Joyce Crick, Oxford University Press,
Oxford
Freud, S. (2006) The Penguin Freud Reader, ed. by Adam Phillips, Penguin, London
Fromm, E. (2003) Man for Himself, Routledge, London
Giddens, A. (2000) The trajectory of the self in Identity, A Reader, p. 248, Routledge Goffmann, E.
(2005) and Embodied Information in Face-to-Face Interaction in The Body, A Reader, p. 82,
Routledge
Gilleard, J.C. and Higgs, P. (2005) Aeging and its embodiment from The Body, A Reader, Routledge
London
Goffmann, E. (1971) The Presentation of Self in Everyday Life, Pelican London
Goffmann, E. (1963) Behaviour in Public Places: Notes on the social organisation of gatherings,
The Free Press, New York
Goffmann, E. (2005) Embodied Information in Face-to-Face Interaction from p. 82 The Body, A
Reader, Routledge 2005
Goldberg, R. (1976) Public Performance: Private Memory, Studio International, No. 192 July-Aug
Goldberg, R. (1979) Performance Art, from Futurism to the present, Thames & Hudson, Grosz, E.
(1994) Volatile Bodies, Toward a Corporeal Feminism, Indiana University Press USA
Grosz, E. (1994) Volatile Bodies, Toward a Corporeal Feminism, Indiana University Press, USA
Harding, A. ed. by, (1997) Curating, The Contemporary Art Museum and Beyond,
Art & Design, Academy Group Ltd. London
Hall, D. (2004) Subjectivity, the New Critical Idiom, Routledge, London
Hanisch, C. (1970) The Personal is Political in scholar.alexanderstreet.com/display/~hanisch,
accessed on 13-4-07
Haraway, D. (1991) Simians, Cyborgs and Women, The Reinvention of Nature, Free Association
Books London
205
Harte, L. (2007) Modern Irish Autobiography: Self, Nation and Society quoted in How the Irish
Autobiography went from 'we' to 'I', article by Fintan O'Toole, Irish Times 28-4-07.
Harte, L, (2007) How the Irish Autobiography went from 'we' to 'I' (The Irish Times 28-4-07) taken
from Modern Irish Autobiography: Self, Nation and Society, 2007 Palgrave Macmilian
Heathfield, A. (2004) Live, Art and performance, Tate Publishing, London
Heathfield, A. ed., by (2004) Small Acts: Performance, The Millennium and the marking of Time,
Black Dog, London
Heddon, D. (2006) Performing the Confessional, in Cultures de la Confession, Publications de
l'Universite de Provence, France
Heddon, D. (2007) Performance & Autobiography, Palgrave Macmillian, UK
Higgs, P. (2005) Aeging and its embodiment from The Body, A Reader, Routledge London
Hirschhorn, T. (2007) Concretion Re, 2007 in the Galerie Chantal Crousel, Paris
Hoffmann, J. & Jonas J. (2005) Perform, Thames & Hudson, London
Huxley, M. (1996) Twentieth Century Performance Reader, Routledge, London
Irigaray, L. (1979) Speculum of the Other Woman, trans. Gillian Gill, Cornell University press,
Ithaca, New York
Irigaray, L. (1986) The Sex Which is Not One, trans. Catharine Porter, Cornell University press,
Ithaca, New York
Irigaray, L. (2004) An Ethics of Sexual Difference, Continuum, London
Irigaray, L. trans. By Burke C. & Porter C. (1985) The Sex which is not One, Cornell University
Press, USA
Jones, A., ed. by, (2003) The Feminism and Visual Culture Reader, Routledge London
Jones, A. (2006) Self/Image Technology, Representation and the Contemporary Subject, Routledge,
London & NY
Jones, A., Stephenson, A. (1999) Performing the Body, Performing the Text,
Routledge London
Jones. A. & Warr, T. (2000) The Artist's Body, Phaidon Press Ltd. London
Kaprow, A. (1996) Essays on the Blurring of Art and Life, University of California Press
Kear, A. & Cambell, P. (2001) Psychoanalysis and Performance, Routledge London
Keidan, L. & Morgan, S. (2000) Franko B, Black Dog publishing, London
Kellner, D. (2000) Erich Fromm, Feminism & The Frankfurt School,
www.gseis.ucla.edu/faculty/kellner/essays/erichfrommfeminism.pdf, accessed 5-8-2006
Kuspit, D. (2002) The Psychoanalytic Construction of beauty,
www.artnet.com/magazine/features/kuspit (7-23-2002) accessed on 12-5-2006
Lacan, J. (1949) 'The mirror stage', in Identity, A Reader p. 44, Routledge 2000
Lacan, J. (1949) The Mirror-Stage as Formative of the Function of the I from Ecrits:a Selection, p.
44, Routledge London
Lacan, J. (1958) 'The Meaning of the Phallus', in Lacan, Jacques & The Ecole Freudienne p. 144,
1982
Lacan, J. & The Ecole Freudienne (1982) Feminine Sexuality, ed. by Juliet Mitchell and Jacqueline
Rose, Macmillan Press, London
Lacan, J. (1986) The Works of Jacques Lacan, Free Association Books, London
Lasch, C. (1979) The Culture of Narcissism, Norton & Co. NY
Lee Nikki, S. (2005) in Perform, Art Works Series, ed by Jens Hoffmann, Joan Jonas; Thames &
Hudson London
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